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The Louisville Photo Studio Blog

Practical guides on headshots, portraits, business photography and video, written by Rob Docherty for people and businesses in Louisville, KY, Shepherdsville and Southern Indiana.

What to Wear for Professional Headshots

Solid colors, clean fit, no busy patterns and no big logos. The practical guide to showing up for your headshot session dressed right, without overthinking it.

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How a Mobile Corporate Headshot Day Works for Louisville Offices

I set up a studio in your conference room, each person steps in for a few minutes, and your whole team gets one consistent look. Here is exactly how the day runs.

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LinkedIn Headshots: What Makes a Profile Photo Work, and What Hurts

Your LinkedIn photo is seen at postage stamp size by people deciding whether to trust you. Here is what makes one work, and the common mistakes that quietly hurt.

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Personal Branding Photos vs Headshots: Which Does Your Business Need?

A headshot is one clean portrait. Branding photos are a library of you at work. The difference decides which session your business actually needs, and when.

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Product Photography for Louisville Small Businesses

Online, your photo is your product. The three kinds of product photos a Louisville small business needs, where they earn their keep, and when phone photos stop being enough.

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Your Homepage Needs a Talking Head Video: What It Is, Why It Works, and How Virtual Production Levels It Up

A talking head video is you, on camera, greeting every homepage visitor in person. Virtual production puts you in a designed set that makes a small business look established. Here is how it works.

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Interactive Video in the Style of VideoAsk: A Conversation on Your Website Instead of a Contact Form

Instead of a cold contact form, your website asks questions on camera and visitors answer by tapping, talking or typing. What interactive video is, where it beats a form, and what filming one involves.

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Why Headshot Photographers Use Strobes Instead of Room Light

Room light changes every time a cloud moves. A strobe gives the same clean light on the first frame and the five hundredth, and that is why headshots use them.

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What a Softbox Actually Does, in Plain English

A softbox does not soften light by magic. It makes the light source bigger, and bigger light wraps around a face. Here is the plain English version.

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The Three Light Setup for Business Portraits

Key, fill and hair light. Three lights, three separate jobs. Once you know what each one does, you will start seeing them in every good business portrait.

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Why Grey Backdrops Win for Corporate Headshots

Grey is not the boring choice, it is the reliable one. It flatters every skin tone, survives every outfit, and lets a whole team match. Here is why.

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Golden Hour vs Midday: How Outdoor Light Changes Portraits

The hour before sunset flatters everyone. Noon sun does the opposite. Here is what changes, and how I handle outdoor portraits when the schedule says midday.

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Catchlights Explained: The Sparkle in Portrait Eyes

Catchlights are the little reflections in your eyes, and they do more work than any other detail in a headshot. Here is how they happen and why I check them first.

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Why Headshot Photographers Reach for an 85mm Lens

The 85mm is not tradition for its own sake. It is about distance: stand at the right distance and faces keep their real proportions. Here is the simple version.

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Aperture Explained in Plain English

Aperture is just how wide the lens opens, and it controls how much of the photo is sharp. Smaller number, wider opening, softer background. That is most of it.

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Tethered Shooting Explained: Seeing Your Photos as We Shoot

Tethered means the camera is connected to a screen, so every photo appears big the second it is taken. You pick favorites live, and surprises disappear.

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RAW vs JPEG: What Actually Happens After Your Photo Session

A RAW file keeps everything the sensor saw. A JPEG is a finished version that has already thrown data away. Here is why I shoot RAW and what editing really involves.

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White Background vs Lifestyle: Which Product Photos Sell

White background photos answer what is it. Lifestyle photos answer what is it like to own it. Most good listings need both. Here is how to split the work.

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How Many Megapixels Do You Actually Need?

Megapixels sound like a score, but they are really a size. Here is how much resolution each real use, screen, print and billboard, actually calls for.

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Color Accuracy in Product Photos: Why the Red Looks Wrong

When a customer says the color is not what they expected, the photo pipeline is usually why. Here is where color goes wrong, and the boring steps that keep it right.

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What Is Color Grading, and Why Video Looks Grey First

If you ever see raw footage from a video shoot and think it looks washed out, that is on purpose. The grey is information, and grading is where the picture gets finished.

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Frame Rates Explained for Business Video: 24, 30 or 60

Frame rate is how many pictures per second the camera takes. The choice changes how motion feels, and for a talking head video the answer is simpler than you think.

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Why Green Screen Looks Fake, and How Virtual Sets Fix It

Fake looking green screen is rarely the green screen's fault. It is spill on the shoulders, light that does not match, and a background that never moves. Here is the fix.

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Lapel vs Shotgun Mic: Audio Choices for Business Video

People will watch a slightly soft picture. They will not sit through echoey, distant audio. Here is how lapel and shotgun mics divide the work on a video shoot.

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Teleprompter vs Memorizing: How Homepage Videos Get Filmed

Almost nobody should memorize a homepage video script word for word. A prompter, used right, reads as eye contact, not reading. Here is how we film them.

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Good Headshot Retouching Is Invisible: What Gets Fixed and What Does Not

The rule of good retouching: if anyone can tell it happened, it went too far. Here is what I fix, what I refuse to change, and why that line matters.

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How Team Headshots Match Across Different Days and Months

A new hire photographed in March has to blend into a team page built in October. That is not luck, it is a recipe: measured lights, same backdrop, saved settings.

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Marketing a Photography Business on Google: The Basics That Book Work

Most photography bookings from Google come from three unglamorous basics done well: a complete Business Profile, real reviews, and pages that match the search.

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Google Business Profile for Photographers: Set It Up and Feed It

Your Business Profile is free, takes an afternoon to set up properly, and then needs feeding: real photos, current services, posts and answers. Here is the routine.

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Facebook and Instagram Ads for Photographers: What Makes Them Work

A local photo ad works when it shows your real work, makes one clear offer, targets only the people who can hire you, and lands on a page built to book.

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How Much Should a Photographer Spend on Google Ads?

There is no magic number. Start with an amount you can afford to learn from, judge it by cost per real inquiry, and scale only what proves itself.

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Why Photographers Need a Page for Each Service and Area

Near me searches are specific, so the pages that win them are specific too: one page per service, written for the people in the places you serve.

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Instagram for Photographers: Turning Posts into Bookings

Likes are not bookings. Instagram books work when it shows real sessions, answers the next question, and keeps a door open for the ready to hire. Here is the method.

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Getting More Google Reviews for Your Photo Studio, the Honest Way

Reviews grow from a system, not luck: ask when the client is happiest, send the direct link, make it take a minute, and reply to every single one.

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Retargeting Explained for Photographers, in Plain English

Retargeting is showing your ad to people who already visited your site but did not book. For services people think about before buying, it is the polite reminder that works.

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Ready to book your session?

Tell me what you need photographed and where. I will bring the studio to you and we will make a plan together.

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